Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Palestrina and the German romantic imagination: interpreting historicism in nineteenth-century music
James Garratt
Your institution does not have access to this book. Please try other options.
Are you a librarian? See purchase information.
Are you a librarian? See purchase information.
-
Frontmatter
-
Acknowledgements (page xi)
-
List of abbreviations (page xiii)
-
Introduction (page 1)
-
1 Historicism in nineteenth-century art, aesthetics and culture (page 9)
-
2 Romanticism and the problem of church music (page 36)
-
3 The Protestant Palestrina revival (page 62)
-
4 The Catholic Palestrina (page 133)
-
5 Palestrina in the concert hall (page 214)
-
6 Interpreting the secondary discourse of nineteenth-century music (page 241)
-
Notes (page 261)
-
Bibliography (page 296)
-
Index (page 311)
Journal Abbreviation | Label | URL |
---|---|---|
MT | 144.1884 (Autumn 2003): 64 | http://www.jstor.org/stable/3650705 |
JAMS | 58.2 (Summer 2005): 458-467 | http://www.jstor.org/stable/4138482 |
GSR | 27.1 (Feb. 2004): 156-157 | http://www.jstor.org/stable/1433571 |
MAL | 86.1 (Feb. 2005): 139-142 | https://muse.jhu.edu/journals/music_and_letters/v086/86.1berger.html |
NOT | 60.3 (Mar. 2004): 666-668 | https://muse.jhu.edu/journals/notes/v060/60.3boursy.html |
Citable Link
Published: c2002
Publisher: Cambridge University Press
- 9780521807371 (hardcover)
- 9780521001960 (paper)
- 9780511103001 (ebook)